There are two Hats to mention today!

Allerton is a skater style slouchy Hat that features columns of slipped stitches against a garter stitch background. The pattern also includes notes on how to customise the columns for a truly unique Hat whilst still maintaining the Hat's structure. Although it may appear to be a classic square top finish it isn't; there is a gentle shaping to the crown which creates a unique drape.

The Hat is named for Chapel Allerton, where the Baa Ram Ewe shop is located. I feel in love with this skein of Manos del Uruguay Alegria when I was there teaching earlier on in the year, and was keen to take on the challenge and design something with it!

Hadleigh is possibly one of my favourites in this collection - it's proportion, the use of slipped stitches, it's sideways brim, that cheeky pixie point - lots of things to love about this one!

The yarn is a hand-dyed skein I purchased at the Swiss Wolle Festival, when I was teaching there last year. The dyer, Bilum, is a new to me dyer from Hungary and I really loved the way the shades were layered within the skein. It's a sports yarn that reminds me of Wollmeise with it's softness and twist.

The naming for this one is a little more abstract that some of the other designs. It reminded me of a bottle neck junction that we used to travel along all the time on the A13, on our way to Southend. The junction that takes you through Hadleigh, and that joins as you head out of the main high street, is visually very similar to the way that the slipped stitches travel up the Hat and converge at the point of the crown. Hadleigh is one of the lesser known towns along that stretch of the A13, and with an historic castle and lots more to explore than meets the eye. Hadleigh is in the borough of Castle Point, which seems so apt for this Hat!

That's all from me today, but do keep an eye out for updates to your Ravelry library as I release each pattern - I'm about a day or so behind in blogging about them all.

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The image shows the crown of my Aeonium Hat pattern. It features the post title “Hat Masterclass - Crown Shaping”.

Whenever I start a new Hat design, I invariably start with the crown. Even if I know exactly which style I'm aiming for or which stitch pattern I'm going to use, and whether it be a top-down, bottom-up or even sideways design, the crown is the first thing I consider. The maths of the crown determines not only the type of crown finish (beanie, beret, pixie, gathered or anything in between) but also the mathematical structure that runs all the way through a Hat.

THE 'DECREASE 8STS EVERY OTHER ROUND' FORMULA
This is a common formula for a Hat, and what it results in is a beanie style (half-dome, watch-cap) style Hat. However, it's not applicable to every situation. Let's look at some numbers.

When we create a beanie what we are essentially doing is knitting a cylinder that's finished off with a circle on top. The schematic above shows that the length of a Hat, from the crown to the base of the ears, is the length from the centre of the crown to the brim edge – or the radius of the top circle plus the length of the cylinder.

With negative ease, this method works, as the edge around the top of the cylinder is smoothed off when worn.

The common formula for a circle is to decrease 8sts every other round, or 4sts average per round. This works well in something like stocking stitch, where the row and stitch gauge have a common relationship, or in lace, whereby blocking helps all the proportions settle.

THE ROLE OF THE CIRCUMFERENCE AND RADIUS
We'll remember from school that the circumference of a circle is 2 x pi x the radius, where pi can be rounded to 3.14. In short, the circumference is 6.28 x the radius.

The circumference of our Hat is the number of stitches on our needles right before we start the crown shaping – it's the widest part of the knitting, and the part that determines fit in a beanie. To know this measurement we'll also want to know our gauge.

Let's use an example of a Hat knit in DK with a gauge of 22sts/10cm. With a circumference of 100sts it will measure 45.5cm – the perfect finished size for the average adult female (allowing for 6.5cm of negative ease).

If we want to knit a beanie, and have the top of that Hat flat as a circle, we'll be able to calculate the radius of our circle, which in turn helps us calculate the number of rounds over which we will decrease.

45.5cm/6.28 (2 x pi) = 7.25cm crown circle radius

If our row gauge follows a typical fashion of 3:4, our row gauge would be approximately 30rows/rounds to 10cm, or 3rows to 1cm, and so we would have to work our decreases over 22 rounds:

7.25 (length of radius in cm) x 3 (number or rows/rounds per cm) = 21.75 rounds

We have 100sts we wish to decrease, so we would aim to decrease 4.5sts per round on average. (100/21.75)

Except, that as we close the top of the Hat we don't want to decrease down beyond say 6 or 8 sts, as this creates an unfortunate bump at the very top of the Hat, so we would change our decrease ratio slightly:

(100-6)/21.75 = 4.32 sts decreased per round, average.

Knitting is forgiving enough to allow us to decrease on average 4sts per round, and it would usually even out with blocking.

And don't forget that that 4sts is an average figure – you could decrease 8sts every other round, or 12sts every third round and so on – it allows for quite a bit of flexibility when you need to adapt stitch patterns.

TAKING THE NUMBERS BEYOND STOCKING STITCH
But what if your row gauge and stitch gauge differ wildly, or your stitch pattern gauge doesn't match that of your stocking stitch?

A good example would be a fairisle Hat where the row and stitch gauge are almost square, e.g. 22sts x 24rows, and the numbers would look a little different. Assuming we're still working with an example of 100sts cast-on:

45.5cm/6.28 (2 x pi) = 7.25cm crown circle radius

Our row gauge gives us 2.4rows per 10cm, so we would need to decrease over 17.4 rounds:

7.25 (length of radius in cm) x 2.4 (number or rows/rounds per cm) = 17.4 rounds

We have 100sts we wish to decrease down to 6sts, the numbers would look like this:

(100-6)/17.4 = 5.5sts decreased per round or 11sts decreased every other round.

Another example might be garter stitch, where the row gauge is invariably double that of the stitch gauge, e.g. 22sts x 44rows to 10cm

45.5cm/6.28 (2 x pi) = 7.25cm crown circle radius

Our row gauge gives us 4.4rows per 10cm, so we would need to decrease over 31.9 rounds:

7.25 (length of radius in cm) x 4.4 (number or rows/rounds per cm) = 31.9 rounds

We have 100sts we wish to decrease down to 6sts, the numbers would look like this:

(100-6)/31.9 = 3sts decreased per round or 6sts decreased every other round.

BEANIES vs BERETS
A beret essentially is the same idea as a beanie, except it's a wider circle on top of a wider cylinder.

The length of a beret body is usually similar to that of a beanie; the fundamental difference is that larger circle on top, which not only adds width, but effectively adds length, too. The standard increase formula from the brim into the body of a beret is to increase by 50%, e.g something along the lines of K2, M1 (where M1 is a lifted bar increase). Our circumference would then be 50% bigger than that of our beanie, and that creates a lot more room to play with.

The same methods and formulas would be applied; first calculate the circumference measurement using the stitch count (at the point where you would start the crown shaping) and the stitch gauge. From there, calculate the radius and use the row gauge to determine how many stitches on average would be decreased per row/round.

As the maths of the circle is consistent, the number of stitches decreased per row/round should stay the same (4.32sts/row on average in Stocking Stitch) yet in practice, I have found that anything up to 6sts per round works well, too, even for stocking stitch. This is largely due to the larger area and the ability to block out smoothly.

TURNING A CIRCLE INTO A CONE
Having determined how many stitches on average we need to decrease across a set number of rows to make a crown flat, we can now think about what happens if we reduce or increase the decrease ratio (i.e. decrease more or less stitches than the beanie examples gave us)

If we increase the number of stitches we decrease, i.e. work less rows and on average decrease more per row/round, then we will head towards a gathered finish as the radius of the circle is rapidly shortened. If we reduce the number of stitches we decrease on average, and work more rows/rounds into the crown, then the radius lengthens, and creates a cone – this is how we create a pixie Hat.

With a pixie Hat, the number of rows/rounds we decrease over is increased, and what was the radius of the circle now becomes the slant height (or angled edge) of the cone.

The circumference of the Hat has the same properties, but as a cone is essentially an incomplete circle, the circumference of the Hat would equate to the arc of the cone (if we were considering this cone as a flat construct)

The slant height of the cone is an important factor, as that determines the overall length of the Hat from the cast on edge. The actual height of the cone tells us how high the Hat is through the centre, and that requires a bit more maths. However to simplify things, you can simply add more non-decrease rows/rounds to the numbers that a beanie formula gives you – the more plain rounds you add, the taller your Hat will be.

One final thing to bear in mind when designing pixie Hats – the length of the body doesn't need to be as long, as head will sit higher in the crown. You will still get that lovely pixie finish, but it is better supported (i.e. it will stand up straight rather than flop over!) if the crown shaping is started a little sooner.

THE GATHERED FINISH
The gathered slouchy look has been popular of late, and it follows a similar formula to other shapes of this nature, in that you'll knit a cylinder for the body. To create that gathered look we want to decrease more rapidly, and exaggeratedly so. When I design slouchy Hats with this type of crown I generally aim for decreasing either half the stitches per decrease round with only a few plain rounds in between, or an average of 10sts per round.

However, simply gathering all the stitches up at the end of a cylinder and finishing there isn't advised - this creates quite a bulky and unflattering look at the crown, hence a gradual but rapid decrease formula is better. Similarly, a plain round before threading your yarn through the stitches and pulling to close is always advised, as it soften that final part of the Hat.

GOING BEYOND THE CYLINDER + TOP STRUCTURE
It's worth bearing in mind that this structure is only one way to construct a Hat; there are countless other ways of doing it. That said, it's a good place to start, so that you understand the maths and numbers which will then enable you you to go beyond this method.

So often I see knitters and designers blindly following the 4sts every round/8sts every other round formula without fully understanding why those numbers fit, and their limitations.

this article was originally published in issue 97 of the Knitter, Spring 2016

There's a lot more involved in designing a Hat than I've shared here! If you’re interested in learning more, I’ve a number of self-paced, downloadable online classes all about Hat design, and you can find them all in my Hand Knit Hat Academy!

PostedSeptember 20, 2016

AuthorWoolly Wormhead

CategoriesTechniques, Hats, Design, Hat Construction

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