I’ve said previously that we’re trying to work at getting our studio photography perfected so that we can work whatever the weather (usually we’re battling the sunshine, rather than the rain) and slowly but surely, we’re getting there.

For me, the biggest hurdle is lighting. We’re gathering a few lights that pack a lot into a small unit (necessary, given the size of my studio) yet somehow I’m rarely content with the lighting effects we get, even when the various set-ups that Tom puts together work well. I am so much happier working with natural light; I’ll always have a diffuser by my side as the natural light here is invariably too strong, but I loathe using reflectors as they always look so false to me - they make light bounce in ways it wouldn’t necessarily bounce. And if I struggle to use a reflector, you can imagine the state of me trying to give a yay or nay to studio lighting.

Slowly, though, we’re getting there. And the one set up that pleases me is dark and moody (quelle surprise). I don’t even care if there’s a lack of light on the face (I much prefer the presence of shadows to their absence) if the light hits the Hat at the right point. As I’m editing the first photoshoot for the Lateralis collection I can tell you there’s some shots where the face is barely visible but the Hat looks a stunner… shots that many people would say are too dark, and to my mind, that’s the point.

Before the shoot we had Monday afternoon we did a few practice shots with Aran for a future free pattern. When he’s in the mood for getting in front of the camera, he goes for it!

 
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Fun as these are, these shots told us that we needed to change the lighting and make it more dramatic… when Aran wasn’t larking around the regular shots looked too much like school photos and there’s no way I’m putting anything like that out, so more shadows on the face it is then, not less.

I suspect in the long run we’ll be inhibited by the pokiness of my studio (compared to that of a the photography studios we usually get a glimpse of) which in turn inhibits our control of light. I know I’ll also get bored of using the same background too often. But it’s a good exercise, and the next plan is try night photography around the Yard, which, if successful, would mean we may never have to battle the sunlight again.

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AuthorWoolly Wormhead